%40
Divine Comedy - Volume 2 %15 indirimli Dante Alighieri
Teknik Bilgiler
Stok Kodu
9786053241980
Boyut
13.50x20.00
Sayfa Sayısı
234
Basım Yeri
Ankara
Baskı
1
Basım Tarihi
2014-09
Kapak Türü
Ciltsiz
Kağıt Türü
2. Hamur
Dili
İngilizce

Divine Comedy - Volume 2 Hell

Yayınevi : Gece Kitaplığı
38,92TL
23,35TL
%40
Satışta değil
9786053241980
605401
Divine Comedy - Volume 2 Hell
Divine Comedy - Volume 2 Hell
23.35

The Divine Comedy describes Dante's journey through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso), guided first by the Roman poet Virgil and then by Beatrice, the subject of his love and of another of his works, La Vita Nuova. While the vision of Hell, the Inferno, is vivid for modern readers, the theological niceties presented in the other books require a certain amount of patience and knowledge to appreciate. Purgatorio, the most lyrical and human of the three, also has the most poets in it; Paradiso, the most heavily theological, has the most beautiful and ecstatic mystic passages in which Dante tries to describe what he confesses he is unable to convey (e.g., when Dante looks into the face of God: "all'alta fantasia qui mancò possa" - "at this high moment, ability failed my capacity to describe," Paradiso, XXXIII, 142).

His glory, by whose might all things are mov'd,
Pierces the universe, and in one part
Sheds more resplendence, elsewhere less.
In heav'n,
That largeliest of his light partakes, was I,
Witness of things, which to relate again
Surpasseth power of him who comes from thence; For that, so near approaching its desire
Our intellect is to such depth absorb'd,
That memory cannot follow.
Nathless all,That in my thoughts I of that sacred realm
Could store, shall now be matter of my song.

  • Açıklama
    • The Divine Comedy describes Dante's journey through Hell (Inferno), Purgatory (Purgatorio), and Paradise (Paradiso), guided first by the Roman poet Virgil and then by Beatrice, the subject of his love and of another of his works, La Vita Nuova. While the vision of Hell, the Inferno, is vivid for modern readers, the theological niceties presented in the other books require a certain amount of patience and knowledge to appreciate. Purgatorio, the most lyrical and human of the three, also has the most poets in it; Paradiso, the most heavily theological, has the most beautiful and ecstatic mystic passages in which Dante tries to describe what he confesses he is unable to convey (e.g., when Dante looks into the face of God: "all'alta fantasia qui mancò possa" - "at this high moment, ability failed my capacity to describe," Paradiso, XXXIII, 142).

      His glory, by whose might all things are mov'd,
      Pierces the universe, and in one part
      Sheds more resplendence, elsewhere less.
      In heav'n,
      That largeliest of his light partakes, was I,
      Witness of things, which to relate again
      Surpasseth power of him who comes from thence; For that, so near approaching its desire
      Our intellect is to such depth absorb'd,
      That memory cannot follow.
      Nathless all,That in my thoughts I of that sacred realm
      Could store, shall now be matter of my song.

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