Festschrift Hans Georg Majer (2 Cilt Takım)
İçindekiler; Nurhan Atasoy: Scenes of Ottoman Women at Leisure Gül İrepoğlu: Der Sichmuck der Osmanischen Damen Serpil Bağcı: An Iranian Epie and an >Ottoman Painter Nakkaş Osman's "New" Visual İnterpretation of the Shahnamah Günsel Renda: Searching for New Media in Eighteenth Century Ottoman Painting Some Archival Documents as Sources Tadeusz Majda: Paintings of Türkish Dignitaries and Drawings of Court Scenes Caesar E. Farah, İrmgard E. Farah: Depicting the Art of Fortification in Yemen A. Contrast Between the Real and the İmagined Jacob M. London: Some Comments on Photography in teh Ottoman Empire Gelechrte/Scholoars Raoul Motika-Adam Neuser: Ein Heidelberger Theologe im Osmanischen Reich Jean Louis Bacque Grammont: Quelques pas de promenade dans les jardins du mesihat Nathalie Claver-Müniri Belgradi: Un Represant de la ‘İlmiyye Dans la Region de Belgrade, fin 16e-debut du 17e siecle
- Açıklama
İçindekiler; Nurhan Atasoy: Scenes of Ottoman Women at Leisure Gül İrepoğlu: Der Sichmuck der Osmanischen Damen Serpil Bağcı: An Iranian Epie and an >Ottoman Painter Nakkaş Osman's "New" Visual İnterpretation of the Shahnamah Günsel Renda: Searching for New Media in Eighteenth Century Ottoman Painting Some Archival Documents as Sources Tadeusz Majda: Paintings of Türkish Dignitaries and Drawings of Court Scenes Caesar E. Farah, İrmgard E. Farah: Depicting the Art of Fortification in Yemen A. Contrast Between the Real and the İmagined Jacob M. London: Some Comments on Photography in teh Ottoman Empire Gelechrte/Scholoars Raoul Motika-Adam Neuser: Ein Heidelberger Theologe im Osmanischen Reich Jean Louis Bacque Grammont: Quelques pas de promenade dans les jardins du mesihat Nathalie Claver-Müniri Belgradi: Un Represant de la ‘İlmiyye Dans la Region de Belgrade, fin 16e-debut du 17e siecle
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