Teknik Bilgiler
Stok Kodu
9783836523219
Boyut
238-315
Sayfa Sayısı
480
Baskı
1
Basım Tarihi
2010-10
Kapak Türü
Karton
Kağıt Türü
2.Hamur
Dili
İngilizce
9783836523219
607610
https://www.kitapburada.com/kitap/monet-or-the-triumph-of-impressionism-1
Monet or the Triumph of Impressionism
85.00
Master of the sublime - The Essential Impressionist
"This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work " in other words, it is definitive." -The Good Book Guide, London
Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object.
It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art.
This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
"This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work " in other words, it is definitive." -The Good Book Guide, London
Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object.
It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art.
This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
- Açıklama
- Master of the sublime - The Essential Impressionist
"This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work " in other words, it is definitive." -The Good Book Guide, London
Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object.
It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art.
This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.
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